2025 莫比斯圓環創作公社《超聲體：人魚重奏》
莫比斯圓環創作公社入選「TAIWAN TOP」演藝團隊後
2025「超聲體」計劃升級完整再打造。
運用VR互動科技偵測手部，「圖像化」手語語言
即時聲響感應連動VR影像，讓聲音能以被「看見」。
《超聲體：人魚重奏》以安徒生童話《人魚公主》為起點，由一位聽障表演者（周佩）與一位原住民表演者（巴奈）共同描述，透過手語、阿美族語、口語與歌聲，交織出屬於她們的版本。 人魚渴望上岸、追尋愛情的故事，被轉化為對身份與文化的辯證：
聽障者如何在「有聲音的世界」裡被看見被理解？原住民如何在主流社會架構裡找到自我？
演出結合 VR 技術與聲響裝置，讓手語觸發影像、聲音化作光影，建構一個虛實交錯的舞台，
帶領觀眾在現實、童話與神話之間共感與遊走，看見「人魚」如何映照她們倆面對的社會框架與生命經驗。
童話，是一種流動的現實。
在遙遠的海洋，海水藍得像矢車菊花瓣，清澈得如同最純淨的玻璃。
為了靠近王子，她失去了聲音，離開宮殿換來一雙會流血的腳。
那個女人，上半身像人，下半身是尾巴。
因為她沒有聲音，不像人類擁有靈魂，死後可以升到天上。
只要在陸地有人深深愛上人魚，她就可以成為有靈魂的人。
《超聲體：人魚重奏》結合VR手部辨識、聲響震動與光桌藝術，科技與童話揉合闡述一段人魚的故事。由聽障者、原住民的生命歷程呼應人魚故事，故事未必有王子的相伴、美好的結局，卻有人魚成為人深刻的執著與迷惘。讓我們在劇場下潛到聲音和語言之前的地方，看見海底的微光，與彼此共振。
A Mermaid Duet
A Deaf performer and an Amis Indigenous performer retell the Little Mermaid,
navigating loss of voice and shifting identities together.
A Mermaid Duet brings together a Deaf performer and an Amis Indigenous performer to reinterpret The Little Mermaid through their own experiences of language, silence, and identity. In the fairy tale, the mermaid gives up her voice; in real life, the Deaf performer has spent years negotiating a hearing world built on sound, while the Amis performer’s move from her tribal community to the city led to the slow loss of her mother tongue. Their stories resonate with the mermaid’s “loss of voice,” forming the emotional core of the work.
The piece places Andersen’s tale alongside the Amis “Island of Women” myth, allowing the two performers to mirror one another between ocean and land, myth and memory. Through song, gesture-based movement, light, image, and sound vibration, they give form to experiences of displacement and return. Audiences enter a sensory world where spoken language recedes and the body becomes the primary narrator revealing cultural silence, forgotten histories, and a shared space of inclusive presence shaped by Taiwan’s diverse cultural landscape.
A Deaf performer and an Amis Indigenous performer retell the Little Mermaid,
navigating loss of voice and shifting identities together.
A Mermaid Duet brings together a Deaf performer and an Amis Indigenous performer to reinterpret The Little Mermaid through their own experiences of language, silence, and identity. In the fairy tale, the mermaid gives up her voice; in real life, the Deaf performer has spent years negotiating a hearing world built on sound, while the Amis performer’s move from her tribal community to the city led to the slow loss of her mother tongue. Their stories resonate with the mermaid’s “loss of voice,” forming the emotional core of the work.
The piece places Andersen’s tale alongside the Amis “Island of Women” myth, allowing the two performers to mirror one another between ocean and land, myth and memory. Through song, gesture-based movement, light, image, and sound vibration, they give form to experiences of displacement and return. Audiences enter a sensory world where spoken language recedes and the body becomes the primary narrator revealing cultural silence, forgotten histories, and a shared space of inclusive presence shaped by Taiwan’s diverse cultural landscape.
攝影 小川先生
監製｜鄭博仁
主創者暨導演｜黃子翎
創作陪伴｜余岱融
戲劇與文本協助｜林嘉寶（香港）
演員｜潘巴奈、周佩
燈光設計｜林翰生
聲響設計｜陳以諾
服裝設計｜邱娉勻
空間設計｜桂語謙
影像設計｜黃子翎、周心瑀
XRLab@NTUT
科技技術總監｜韓秉軒
科技技術專案經理｜彭日璇
Unity 美術特效設計｜盧孟偉
Unity 程式架構設計｜周冠諭
Unity3D 特效設計｜陳維漢
影像騎師｜蘇柏文
Unity 程式設計｜魏直彥
光桌程式開發｜王郁勳教授與陽明交大跨領域藝術團隊
舞台監督｜劉崴瑒
影像技術指導｜李祐緯
導演助理｜周心瑀
前期製作人暨後期協同製作｜董岳鑨
後期製作助理｜羅予杏
手譯員｜沃哲彣、陳宇倫、林麗媚、高玉璽
主視覺設計｜謝宛廷
劇照攝影｜小川先生
專案行銷企劃及票務服務｜好藝建有限公司（廖又臻、林耿邦、梅祐瑄）
專案媒體行銷｜蔡智傑
贊助單位｜財團法人國家文化藝術基金會、臺北市政府文化局
▌莫比斯圓環創作公社
團 長｜鄭博仁
藝術總監｜黃子翎
營運顧問｜廖又臻
劇團經理｜董岳鑨
營運部專員｜宋柏成
企劃部專員｜羅予杏
專案企劃｜陳聖皇
